Z2 revised 4jul11, 8mar13

Lesson on Moebius Transformations

\textit{ $\C$ 2010, Prof. George K. Francis, Mathematics Department, University of Illinois} \begin{document} \maketitle \section{What you should study now.} Hvidsten Ch8, $\S 8.1$, and $\S 8.2$. It is not necessary to refer to previous material in Hivdsten. These notes, though terse, are self-contained. So it is possible for you to work directly from Hvidsten, correct the (few) typos and errors, and solve the assigned problems (8.2.1--15). However, you will gain a much deeper understanding of "what's going one here" by following these lessons. Here is advice on how to solve the problems in a more meaningful way. And you will proceed in a more leisurely manner. \section{Introduction} By a \textit{transformation} of the plane we shall mean a bijection $w=f(z)$ of the complex numbers to themselves. This is a simple generalization from functions on the real numbers to the complex number. Being bijective, we also require that $f$ be one-to-one and onto.
Question 1.
Show that $f(z)=z^2$ is onto (surjective) but no 1:1 (injective). Hint: For the former you must find at least one solution $z$ to the equation $w=z^2$ for \textit{every} $w$. For the latter it suffices to find two different solutions for \textit{one} particular value of $w$. Because each complex number is the name of a point in the plane and vice versa, we can interpret a bijection of the complex numbers as a \textit{point transformation of the plane.} That is, each point is transformed into a unique other point (which may or may not be itself.) Here we shall be concerned only with functions which are very simple algebraically but having very rich geometrical properties. \section{Similitudes.} A \textit{similitudes} of the plane is the transformation of every point $z$ in the plane to another point $w$ obeying this \[ \mbox{ linear equation: } w = az + b, \mbox{ where }a,b \in \mathbb{C} \mbox{ and } a\ne 0.\] The totality of all similitudes form a \texit{group} under composition for the following reasons (MA347). \begin{eqnarray*} \mbox{closure under composition:} \ a(pz + q) + b &=& (ap)z + (aq + b) \\ \mbox{inverse of a similitude:} \ w = az + b &\implies& z = (\frac{1}{a})w + (\frac{-b}{a}) \\ \end{eqnarray*} Observe that we carefully place parentheses so that $z$ can be seen to be a linear polynomial of $w$. The only thing to verify is that $ap \ne 0$ provided neither $a$ nor $p$ is, and that $\frac{1}{a} \ne 0$. This is not an entirely trivial observation. We shall see many instances in these lessons where we claim that the compositions of two kinds of transformations is again of the same kind. This means that the composition must be shown to have the same \textit{ form} as the form that defines the kind of transformation we are talking about. Thus the identity function, written $\iota(z)=z$ for all $z$ is a similitude because $\iota(z) = 1 z + 0 $.
Question 2.
Show that the composition of a similitude with its inverse is the identity. Composition of three transformation is always associative, no matter what kind of a transformation they are. So, now we have shown that the the traditional four conditions for a group are satisfied for similitudes. Study this proof carefully. There are several more kinds of transformations which need verified that they are groups, either in your Journal, the homework, or both. \subsection{Anatomy of a Similitude} Since we can write $a = re^{i\theta}$ we see that a similitude, $f(z)= re^{i\theta} z + b $, is just the composition of three familiar transformations, $f=f_3 \circ f_2 \circ f_1$, where: \begin{itemize} \item The \textit{rotation} $ f_1(z) = e^{i\theta}z $ \item is followed by the \textit{ dilation } $ f_2(z) = rz$ \item which is followed by the \textit{ translation } $ f_3(z)= z + b$. \end{itemize} The functional notation is often more conveniently replaced by the \textit{ maps-to} notation, as in \[ z \mapsto e^{i\theta}z \mapsto r(e^{i\theta}z) \mapsto (re^{i\theta}z) + b \] \subsection{The Euclidean Group} For a similitude to be a \textit{Euclidean transformation} there must not by any \textit{dilation} (stretching or shrinking}. Such similitudes have the form $f(z) = e^{i\theta}z+b $. To show that the Euclidean transformations also form a group we simply follow the above strategy. Note that a Euclidean transformation is just a similitude $w=az+b$ with $|a|=1$. Noting that $|a|= |p| = 1 \implies |ap|=|a||p|=1$, we have closure under composition. The composition of two Euclidean transformations is not just another similitude, it's a Euclidean one .
Question 3.
Show that the inverses of a Euclidean similitude is again Euclidean. This should be the last time we refer to these transformations as "Euclidean similitudes" for the same reason that we don't call squares "rhombic rectangles" or "rectangular rhombi", although both would be correct. Their classical term is Eucliean \textit{ Motions} in the plane, and, we shall see later, they are most properly called \textit{Euclidean isometries}. \subsubsection{Canonical Form for the Euclidean Group} Sooner or later, you will have occasion to make use of the fact that the rotation angle $\theta$ and the translation vector $b$ of a Euclidean transformation completely specifies the transformation. \textbf{Theorem: } If $ (\forall z)( e^{i\alpha}z + a = e^{i\beta}z + b)$ then $ (\alpha = \beta) \and (a = b) $. \textbf{Proof: } Since the equation holds for all $z$, it holds for $z=0$. From this it follows that $a=b$. Subtract the constant from both sides, and substitute $z=1$ to get that $ \alpha = \beta \ mod(2\pi)$. Study this proof strategy because we shall see it several more times, in the lessons, homework, and, of course, on tests. \subsection{Rotations} Recall from an earlier lesson that the rotation of the complex plane by an angle of $\theta$ about a point $c \ne 0$ can be considered as the composition of three Euclidean tranformations: \[ z \mapsto z-c \mapsto e^{i\theta}(z-c) \mapsto e^{i\theta}(z-c) +c .\] In words, first translate every point so that $c$ is moved to the origin. Then rotate the plane about the origin, and finally, translate the plane so that the origin moves back to the original center of rotation. First note that this too is a Euclidean transformation, and for two different reasons. First, because the Euclidean transformations are closed under composition. But we can see it directly, by rewriting \[ e^{i\theta}(z-c) +c = e^{i\theta}z + (1-e^{i\theta})c,\] which is a rotation about the origin followed by a translation, which is the canonical form of a Euclidean transformation.
Question 4.
If $\tau(z)=z+c$ and $\rho(z) = e^{i\theta}z $ then what is the transformation $f = \tau \circ \rho \circ \tau^{-1}$ ? The composition $g \circ f \circ g^{-1} $ is called the \textit{ conjugation} of the transformation $f$ by $g$. It is important to distinguish the two uses of the word "conjugate" in the algebra of complex numbers. Recall that the \textit{ conjugate } of $z = x +iy$ is defined as $\bar{z} = x-iy$.
Question 5.
Write the conjugate of $z = re^{i\theta}$ in polar form.
Question 6.
If $f(z)= \frac{1}{z}$, the reciprocal function, and $g(z)= z+b$ is a translation, then what is the conjugate of $f$ by $g$? What is the congugate of $g$ by $f$? \section{Reciprocals and Inversion} While a similitude taks a complex number to a complex number, the reciprocal of a complex number has a problem at $z=0$. Unlike for real numbers, for complex numbers we can invent a single \textit{point at infinity}, and extent the complex plane to the \textit{ Riemann sphere}, denoted by $\hat\mathbb{C} = \mathbb{C} + \infty$. Think of the north pole on the earth. To some extent complex arithmetic also extends as follows: \begin{eqnarray*} \frac{1}{0} &=& \infty \\ \frac{1}{\infty} &=& 0 \\ \infty \pm b &=& \infty \\ \infty b &=& \infty \\ \frac{a \infty + b}{c \infty + d}&=& \frac{a}{c} \\ \end{eqnarray*} The way to understand this strange arithmetic is, in each case, to subsitute $\frac{1}{z}$ for each occurence $\infty$ and take the $ \lim_{z -> 0}$. It is instructive to illustrate this method for the last example. \begin{eqnarray*} \frac{ a/z + b}{c/z + d} &=& \frac{a + zb}{c + zd} \\ \lim_{z->0} \frac{ a + zb}{c + zd} &=& \frac{a}{c}\\ \end{eqnarray*} In particular, the function $f(z) = \frac{1}{z} $ is called the \textit{inversion of the complex plane}. Note that \begin{eqnarray*} f(0)&=&\infty \\ f(\infty)&=& 0 \\ f(e^{i\theta}) &=& e^{-i\theta} \\ \end{eqnarray*} where the last equations says that the unit circle remains fixed as a set, even though the points on the unit circle themselves are not fixed, except $\pm 1 $. \section{Moebius Transformation} The final transformation we define in this section is called a \textit{fractional-linear} transformation, or more commonly, a \textit{Moebius transformation}: \begin{eqnarray*} \mu(z;a,b,c,d))&=& \frac{az+b}{cz+d} \ where \ ad-bc = 1 \\ \end{eqnarray*} \subsection{Our Definition} Note carefully that we use the customary definition, not the definition in Hvidsten, who merely insists that $ad-bc\ne 0$. It is important to understand the difference of these two definitions, especially how they are used. Of course $ad-bc = 1$ implies that $ad-bc \ne 0$. But even if we merely say that $ad-bc \ne 0$, we may rewrite the fraction so that the function assumes the seemingly more restrictive form without changing the function. For, suppose initially that $\delta := \sqrt{ad - bc} \ne 1 $ but still non-zero. Recall that every non-zero complex numbers has (two) squareroots. You can use either. Then divide numerator and denominator by this number to obtain a new set of coefficients. \begin{eqnarray*} \frac{az+b}{cz+d} &= &\frac{(a/ \delta )z+(b/\delta)}{(c/ \delta)z+(d/\delta)} &=& \frac{a'z+b'}{c'z+d'} \ and\ a'd' - b'c' = \frac{ad-bc}{\delta^2}=1. \\ \end{eqnarray*} This is not rocket science, you've known this idea since fourth grade. There, you had to get used to the idea that $ \frac{2}{4}=\frac{1}{2}$ even though $2 \ne 1$ and $4 \ne 2$. In the first case we define the fraction as the ratio of two whole numbers, with the denominator not being zero. In the second case we express the same fraction in "lowest terms" as they said in 4th grade. In college (MA347) you learned to say that numerator and denominator are \textit{relatively prime}. A (positive) fraction has unique relatively prime numerator and denominator. So too, we say that the expression for the Moebius transformation is \textit{ canonical} if $ad-bc=1$. \subsection{The Moebius Group} Note that, for $c \ne 0$, $\mu(\frac{-d}{c};a,b,c,d) = \infty $. Moreover, $\mu(\infty;a,b,c,d) = \frac{a}{c} $. So some finite point goes to infinity, and infinity goes to a finite point. Therefore, a Moebius transformation is in reality a function not of the complex plane $\mathbb{C}$ but of the Riemann sphere $\hat\mathbb{C}$. That the set of all Moebius transformation of the Riemann sphere form a group is just algebra again.
Question 7.
Show that the composition of two Moebius transformations is again a Moebius transformation.
Question 8.
Prove that the inverse of a Moebius tranformation is again a Moebius transformation by solving $w=\frac{az+b}{cz+d}$ for $z =\frac{a'w+b'}{c'w +d'}$. Show that $a'=d, b'= -b, c'=-c, d'=a$. \subsection{Aside on Matrices} If you have had matrix algebra you will recognize the last exercises as the formula \[\left( \begin{array}{cc} a & b \\ c & d \\ \end{array} \right)^{-1}= \left( \begin{array}{cc} d & -b \\ -c & a \\ \end{array} \right) \] for the inverse of a linear transformation in the plane. And if you composed the $g(z)=\mu(z;a,b,c,d)$ with $f(z)=\mu(z;p,q,r,s)$ for the exercise on composition, you may have noticed that you just multiplied the two corresponding matrices. Indeed, the Moebius group may be represented by the group of complex 2x2 matrices with unit determinant, the \textit{ Special Linear Group } $SU(2,\mathbb{C})$. But we do not require linear algebra as a prerequisite to this course, so we shall not pursue this subject further. \section{The Anatomy of a Moebius Transformation} Note that when $c=0$ the Moebius transformation $f(z)=\frac{az+b}{cz+d}$ is just a similitude, with dilation factor $|a/d|$, rotation angle $arg(a/d)$, and translation vectore $b/d$. We close this lesson with Hvidsten's first theorem which says that every Moebius transformation is either a similitude ($c=0$), or the composition of a single inversions with more similitudes. Algebraically, we said nothing other that, \[\frac{az+b}{cz+d} = \frac{a}{c} - \frac{ad-bc}{c^2}\frac{1}{z+ d/c}.\] One immediate consequence of this fact is that every Moebius transformation is a bijection of the Riemann sphere, because each component transformation, dilation, rotation, translation and inversion is trivially a bijection. Write this argument out (in full detail) and in your own words, into your Journal. \subsection{Verification versus Discovery} Hvidsten rewrites a Moebius tansformations as a succession of rotations, dilations, and inversions. All the reader needs to do is check that the equation is correct. If the transformation is already a similitude, then there is no inversion. By writing $az+b = re^{i\theta}z + b$, we see how a similitude is the composition of a rotation, followed by a dilation, followed by a translation. But how would you discover such a formula in the general case? Study the following steps to see the trick of "cancelling $cz+d$ in the numerator and denominator". Consider this way of proving Hvidsten's first theorem (HP8.1): \textbf{Theorem: } Every proper ($c\ne0$) Moebius transformation is the composition of two similitudes with an inversion between them. \textbf{Proof:} \begin{eqnarray*} \frac{az+b}{cz+d}\frac{c}{c} &=& \frac{acz+bc}{c(cz+d)} \\ &=& \frac{acz+ad + (bc-ad)}{c(cz+d)} \\ &=& \frac{a}{c}[\frac{cz+d}{cz+d}] + \frac{bc-ad}{c} (\frac{1}{cz+d}) \\ &=& \frac{a}{c} + \frac{bc-ad}{c} (\frac{1}{cz+d}) \\ &=& B + A (\frac{1}{cz+d}) \\ \mbox{where } A &=& \frac{bc-ad}{c} \\ \mbox{and } B &=& \frac{a}{c} \\ \end{eqnarray*}